My research is on the attempt which bringing together the traditional Chinese auspicious patterns and contemporary jewellery structure, thinking about how to connect traditional technique and patterns with different material and contemporary design. At the beginning of my thesis, I did a small research of Chinese jewellery brand both on the mass market and fine jewellery market, which contain the set up years, material using and location setting, to see the difference and development of the jewellery in each period of the market, cause of political, consumption structure and other kind of these reasons, the development of modern Chinese jewellery were stared later than western countries. Meanwhile, there are some brands that have been existing for years with few reports and stories, which less emerged in the view of publics. To the contrary, golden jewellery is the most of the publics are familiar to the jewellery, selling on the mass market. In addition, as for the material, there are some newly brand who using plastic and some other unconventional material to gaining the market in recent years. But most of the brand still using traditional gem and precious metals to create the jewel. Moreover, for the designer who working on most of the fine jewellery brand, are higher educated on domestic or abroad. Some of them even has the working experience on some brands. Finally, for the style and the inspirations of my final project, most of the designs could seen that the designers are inspired from traditional Chinese cultural elements, like painting, fan, architecture and so on. Others gain from the religions and the feeling of the impression from the culture.
La mia ricerca è sul tentativo di riunire i modelli di buon auspicio cinesi tradizionali e la struttura di gioielli contemporanei, pensando a come connettere la tecnica e i modelli tradizionali con materiali diversi e design contemporaneo. All'inizio della mia tesi, ho fatto una piccola ricerca sul marchio cinese di gioielli sia sul mercato di massa che sul mercato della gioielleria, che conteneva gli anni della messa a punto, l'uso del materiale e l'ambientazione, per vedere la differenza e lo sviluppo dei gioielli in ogni periodo del mercato, causa della struttura politica, dei consumi e di altri tipi di questi motivi, lo sviluppo dei moderni gioielli cinesi è stato guardato più tardi rispetto ai paesi occidentali. Nel frattempo, ci sono alcuni marchi che esistono da anni con poche relazioni e storie, che sono emerse meno nell'opinione pubblica. Al contrario, la gioielleria d'oro è la maggior parte dei pubblici sono familiari ai gioielli, che vendono sul mercato di massa. Inoltre, come per il materiale, ci sono alcuni nuovi marchi che usano plastica e altri materiali non convenzionali per conquistare il mercato negli ultimi anni. Ma la maggior parte del marchio utilizza ancora gemme tradizionali e metalli preziosi per creare il gioiello. Inoltre, per il designer che lavora sulla maggior parte del marchio di alta gioielleria, sono più istruiti a livello nazionale o all'estero. Alcuni di loro hanno anche esperienza lavorativa su alcune marche. Infine, per lo stile e le ispirazioni del mio progetto finale, la maggior parte dei progetti ha visto che i designer si ispirano agli elementi culturali tradizionali cinesi, come la pittura, i fan, l'architettura e così via. Altri traggono dalle religioni e il sentimento dell'impressione dalla cultura.
The application of Chinese auspicious pattern in jewellery design
WANG, SHUO
2017/2018
Abstract
My research is on the attempt which bringing together the traditional Chinese auspicious patterns and contemporary jewellery structure, thinking about how to connect traditional technique and patterns with different material and contemporary design. At the beginning of my thesis, I did a small research of Chinese jewellery brand both on the mass market and fine jewellery market, which contain the set up years, material using and location setting, to see the difference and development of the jewellery in each period of the market, cause of political, consumption structure and other kind of these reasons, the development of modern Chinese jewellery were stared later than western countries. Meanwhile, there are some brands that have been existing for years with few reports and stories, which less emerged in the view of publics. To the contrary, golden jewellery is the most of the publics are familiar to the jewellery, selling on the mass market. In addition, as for the material, there are some newly brand who using plastic and some other unconventional material to gaining the market in recent years. But most of the brand still using traditional gem and precious metals to create the jewel. Moreover, for the designer who working on most of the fine jewellery brand, are higher educated on domestic or abroad. Some of them even has the working experience on some brands. Finally, for the style and the inspirations of my final project, most of the designs could seen that the designers are inspired from traditional Chinese cultural elements, like painting, fan, architecture and so on. Others gain from the religions and the feeling of the impression from the culture.File | Dimensione | Formato | |
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final thesis.pdf
Open Access dal 06/12/2021
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https://hdl.handle.net/10589/143484