How is it possible to recognize the beauty around us that is often hidden in the little things of everyday life? The reflection begins by analyzing two relevant and seemingly distant themes such as the beauty and the daily life, by identifying their diverse shades of meaning and linking the two terms in a formal synthesis. This is represented through the observation-discovery of the beauty in the simplest things-situations of the daily routine. The two terms convey intense values; the beauty considered as something that attracts and seduces the human begin; the daily life intended as the repetition of common actions, and as the fleeting gaze on things, often considered too ordinary and obsolete. The survey is developed between various multidisciplinary fields and pure experimentation, from design to contemporary art, and from photography to art video. It is aimed to five possible case studies where the theoretical limits of the two terms are dematerialized: •the everyday objects take on a new meaning which gives them back a conceptual and formal value; •the collective and personal memory represent the track of human being, of its transition and its experience; •the intrusion in private spaces represents the search for authenticity without artifices, with images capturing the daily life which in a moment will no longer exist, it will be something else. •the existence of the object becomes the expression of an individual and emotional inner reality as it is considered autonomous and independent from every human functions. This is inspired by the Japanese culture where objects have souls; •the ephemeral power represented by the vegetal element, in particular by the cut flower, it determines a variety of interpretations and meanings, within which nothing is what it seems.
Com’è possibile distinguere la bellezza presente ma spesso celata nelle piccole cose della vita quotidiana? Una riflessione che prende forma partendo dall’analisi di due temi rilevanti e apparentemente distanti quali la bellezza e la quotidianità, leggendone le diverse sfumature di significato e legando concettualmente i due termini in una sintesi formale, rappresentata dall’osservazione-scoperta del bello negli oggetti-situazioni più semplici della routine giornaliera. Due termini dal forte valore evocativo; la bellezza legata a ciò che attrae l’uomo, lo affascina; la vita quotidiana, legata al continuo ripetersi di azioni usuali, allo sguardo sfuggevole sui medesimi oggetti, spesso considerati banali o desueti. Un’indagine che si muove attraverso svariati ambiti multidisciplinari e di pura sperimentazione, dal design all’arte contemporanea, dalla fotografia alla video art, rivolta ad una suddivisione in cinque possibili tipologie di studio nelle quali si smaterializzano i limiti teorici delle due definizioni: • gli oggetti di uso comune assumono nuovi significati, restituendo un valore concettuale e formale al manufatto; • la memoria collettiva e personale rappresenta la traccia dell’uomo, del suo passaggio, del suo vissuto; • l’intrusione in spazi privati rappresenta la ricerca di autenticità priva di artifici, con immagini che immortalano l’immediatezza del quotidiano, che tra un attimo non esisterà più, sarà altro; • la presenza stessa dell’oggetto, autonomo, slegato da ogni sua funzione di dipendenza dall’uomo, diventa l’espressione di un’interiorità individuale ed emozionale che trae ispirazione dalla cultura giapponese nella quale anche gli oggetti hanno un’anima; • infine una potenza effimera come quella rappresentata dall’elemento vegetale, in particolare nella scelta del fiore reciso, determina una varietà di interpretazioni e significati altri, nei quali nulla è ciò che sembra.
La bellezza del quotidiano
TREVISAN, MARIALUNA
2017/2018
Abstract
How is it possible to recognize the beauty around us that is often hidden in the little things of everyday life? The reflection begins by analyzing two relevant and seemingly distant themes such as the beauty and the daily life, by identifying their diverse shades of meaning and linking the two terms in a formal synthesis. This is represented through the observation-discovery of the beauty in the simplest things-situations of the daily routine. The two terms convey intense values; the beauty considered as something that attracts and seduces the human begin; the daily life intended as the repetition of common actions, and as the fleeting gaze on things, often considered too ordinary and obsolete. The survey is developed between various multidisciplinary fields and pure experimentation, from design to contemporary art, and from photography to art video. It is aimed to five possible case studies where the theoretical limits of the two terms are dematerialized: •the everyday objects take on a new meaning which gives them back a conceptual and formal value; •the collective and personal memory represent the track of human being, of its transition and its experience; •the intrusion in private spaces represents the search for authenticity without artifices, with images capturing the daily life which in a moment will no longer exist, it will be something else. •the existence of the object becomes the expression of an individual and emotional inner reality as it is considered autonomous and independent from every human functions. This is inspired by the Japanese culture where objects have souls; •the ephemeral power represented by the vegetal element, in particular by the cut flower, it determines a variety of interpretations and meanings, within which nothing is what it seems.File | Dimensione | Formato | |
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https://hdl.handle.net/10589/147041