The degree thesis outlines the recovery of the former Faculty of Veterinary Medicine within the Città Studi in Milan. The original morphological articulation and the constructive characteristics of the pavilion architectural artifacts form an urban complex, of interest subjected to cultural constraint by the Superintendency. The types and spatial organizations present determine the possibility of recovering these spaces to outline the new Department of Cultural and Environmental Heritage of the State University of Milan, through a complex project of re-use and re-functionalization of today's pavilions and the inclusion of some new capable architectures to dialogue with the existing, creating a new stratification of meaning. The concept of the project expresses a cultural position that sees in the capacity of transformation of open spaces, one of the main resources for urban renewal and architectural recovery. The main objective of the thesis is therefore to concentrate on reconstructing and regenerating the fabric of open spaces, since the existing buildings are considered as pre-existing areas to be conserved and introduced into the city through the opening of the fences, so as to connect the campus to the surrounding city . The project strategy also provides for the demolition of superfluous and incongruous presences that have occurred over the years, which are in disagreement with the entire historical complex and the addition of new spaces and structures useful for solving the needs presented by the Faculty of Cultural and Environmental Heritage . The redevelopment of the pre-existing structures preserves the character of the interior spaces, adapting them in relation to their accessibility, the removal of architectural barriers and fire safety. Through an in-depth redesign work, an attempt is made to build an urban fabric by entering the project area in the nearest continuum of Città Studi. The aim of the thesis project is therefore to configure the open space as a matrix of sense of place, in an eminently conservative perspective of the existing architecture. The new open space design is not only designed as a meeting place for people, citizens, students, visitors, but also as a link between the existing buildings and newly built buildings on campus. In this regard, the design presents two crossings that cut the lot from north to south, one central and one on the border with the Faculty of Agriculture, and several transversal distances that innervate the area in an east-west direction, extending the pedestrian urban fabric . The use of design elements deriving from landscape architecture, such as basements, unevenness and natural grafts in flooring, make it possible to constitute a sort of new urban carpet, which stands as an architecture, trying to connect the various parts of the historical urban system. The bases, designed to eliminate the difference in level between the ground level and the raised floor of the existing buildings, contain not only the steps, but also the ramps connecting the buildings, so as to definitively eliminate architectural barriers. These raised platforms constitute new reception, mediation and access spaces, which can be used as places of rest, study, reading and meditation, outlining a sort of large urban park. These architectural elements also become autonomous with respect to buildings: by spacing out the open spaces, delimiting the green areas containing the trees, guaranteeing soil permeability and protected and shaded edges in which to sit. The "green spine" that crosses the central space of the lot from north to south, is made with a system of green strips set into the surface of the floor and interspersed with stone paving. At the center of the urban system a large staircase outlines the main elevation of the project, which connects the urban ground floor and the underground floor of the underground university classrooms. The "green spine", constituted by the reiteration of homogeneous bands, traced in the dimensional matrices of the urban system of existing buildings is therefore a large "carpet", composed of different elements, the grass, the stone, the seats and the tanks greens. The latter contain the trees, placed on the bases and along the "green spine" and dictate the rhythm and progression of the design of the open space. In conclusion, the open space as well as being a natural setting, becomes a place for recreational and community activities, and takes on a strong value of reconnecting buildings, becoming a supporting element of the campus structure. The project of this new "urban landscape" becomes a structural matrix of a process of opening the lot to the city, in a system where social relations are encouraged, where the encounter is no longer a fleeting intersection of glances walking along a direction, but it happens with different times according to the places of passage.
La tesi di laurea delinea il recupero dell’ex Facoltà di Veterinaria all’interno di Città Studi a Milano. L’articolazione morfologica originaria e le caratteristiche costruttive dei manufatti architettonici a padiglione formano un complesso urbano, di interesse sottoposto a vincolo culturale dalla Soprintendenza. Le tipologie e organizzazioni spaziali presenti determinano la possibilità di recuperare questi spazi per delineare il nuovo Dipartimento di beni culturali e ambientali dell’università Statale di Milano, attraverso un progetto complesso di riuso e rifunzionalizzazione degli odierni padiglioni e l’inserimento di alcune nuove architetture capaci di dialogare con l’esistente, andando a costituire una nuova stratificazione di senso. Il concept di progetto estrinseca una posizione culturale che vede nella capacità di trasformazione degli spazi aperti, una delle risorse principali per il rinnovo urbano e il recupero architettonico. L’obiettivo principale della tesi è dunque quello di concentrarsi nel ricostruire e rigenerare il tessuto degli spazi aperti, poiché gli edifici esistenti sono considerati come preesistenze da conservare e immettere nella città attraverso l’apertura dei recinti, così da connettere il campus alla città circostante. La strategia di progetto prevede inoltre, la demolizione di superfetazioni e presenze incongrue succedutesi negli anni, che sono in disaccordo con l’intero complesso storico e l’aggiunta di nuovi spazi e strutture utili a risolvere le necessità presentate dalla Facoltà di Beni Culturali e Ambientali. La riqualificazione delle strutture preesistenti conserva il carattere degli spazi interni, adeguandoli in relazione alla loro accessibilità, all’abbattimento delle barriere architettoniche ed alla sicurezza antincendio. Attraverso un approfondito lavoro di riprogettazione si tenta di costruire un tessuto urbano immettendo l’area di progetto nel continuum più prossimo di Città Studi. L’obiettivo del progetto di tesi è dunque quello di configurare lo spazio aperto come matrice di senso del luogo, in un’ottica eminentemente conservativa dell’esistente architettura. Il nuovo disegno dello spazio aperto non solo è progettato come luogo di riunione delle persone, cittadini, studenti, visitatori, ma anche come legante tra le preesistenze e gli edifici di nuova addizione all’interno del campus. A tale proposito, il disegno presenta due attraversamenti che tagliano il lotto da nord a sud, uno centrale e uno al confine con la Facoltà di Agraria, e diverse percorrenze trasversali che innervano l’area in direzione est-ovest, estendendo il tessuto urbano pedonale. L’utilizzo di elementi progettuali derivanti dalla landscape architecture, quali basamenti, dislivelli e innesti naturali nelle pavimentazioni, permettono di costituire una sorta di nuovo tappeto urbano, che si pone come un’architettura, cercando di connettere le varie parti del sistema urbano storico. I basamenti, progettati per eliminare il dislivello tra il livello del terreno e il piano rialzato degli edifici esistenti, contengono oltre ai gradini, anche le rampe di connessione agli edifici, in modo da eliminare definitivamente le barriere architettoniche. Tali piattaforme rialzate costituiscono nuovi spazi di accoglienza, mediazione e accesso, utilizzabili come luoghi di sosta, studio, lettura e meditazione, delineando una sorta di grande parco urbano. Questi elementi architettonici si rendono anche autonomi rispetto agli edifici: intervallando gli spazi aperti, perimetrando le zone verdi di contenimento delle alberature, garantendo permeabilità del suolo e bordi protetti e ombreggiati in cui potersi sedere. La “spina verde” che attraversa lo spazio centrale del lotto da nord a sud, è realizzata con un sistema di fasce a verde incastonate nella superficie del pavimento ed intervallate dalla pavimentazione in pietra. Al centro del sistema urbano una grande scalinata delinea il dislivello principale del progetto, che connette piano terra urbano e piano interrato delle aule universitarie ipogee. La “spina verde”, costituita dalla reiterazione di fasce omogenee, rintracciata nelle matrici dimensionali del sistema urbano degli edifici esistenti si presenta quindi come un grande “tappeto”, composto da differenti elementi, l’erba, la pietra, le sedute e le vasche verdi. Quest’ultime contengono le alberature, poste sui basamenti e lungo la “spina verde” e dettano ritmo e andamento progressivo del disegno dello spazio aperto. In conclusione, lo spazio aperto oltre ad essere cornice naturale, diventa luogo di attività ricreative e comunitarie, ed assume una forte valore di riconnessione degli edifici, diventando elemento portante della struttura del campus. Il progetto di questo nuovo “paesaggio urbano” diventa matrice strutturale di un processo di apertura del lotto verso la città, in un sistema dove vengono incitate le relazioni sociali, dove l’incontro non è più un incrocio sfuggente di sguardi camminando lungo una direzione, ma avviene con tempi differenti a seconda dei luoghi di passaggio.
Riconfigurazione dell'area dell'ex Facoltà di Veterinaria, Milano Città Studi. Nuovo disegno dello spazio aperto
NOBILE, ALICE;LADISA, DEBORA
2018/2019
Abstract
The degree thesis outlines the recovery of the former Faculty of Veterinary Medicine within the Città Studi in Milan. The original morphological articulation and the constructive characteristics of the pavilion architectural artifacts form an urban complex, of interest subjected to cultural constraint by the Superintendency. The types and spatial organizations present determine the possibility of recovering these spaces to outline the new Department of Cultural and Environmental Heritage of the State University of Milan, through a complex project of re-use and re-functionalization of today's pavilions and the inclusion of some new capable architectures to dialogue with the existing, creating a new stratification of meaning. The concept of the project expresses a cultural position that sees in the capacity of transformation of open spaces, one of the main resources for urban renewal and architectural recovery. The main objective of the thesis is therefore to concentrate on reconstructing and regenerating the fabric of open spaces, since the existing buildings are considered as pre-existing areas to be conserved and introduced into the city through the opening of the fences, so as to connect the campus to the surrounding city . The project strategy also provides for the demolition of superfluous and incongruous presences that have occurred over the years, which are in disagreement with the entire historical complex and the addition of new spaces and structures useful for solving the needs presented by the Faculty of Cultural and Environmental Heritage . The redevelopment of the pre-existing structures preserves the character of the interior spaces, adapting them in relation to their accessibility, the removal of architectural barriers and fire safety. Through an in-depth redesign work, an attempt is made to build an urban fabric by entering the project area in the nearest continuum of Città Studi. The aim of the thesis project is therefore to configure the open space as a matrix of sense of place, in an eminently conservative perspective of the existing architecture. The new open space design is not only designed as a meeting place for people, citizens, students, visitors, but also as a link between the existing buildings and newly built buildings on campus. In this regard, the design presents two crossings that cut the lot from north to south, one central and one on the border with the Faculty of Agriculture, and several transversal distances that innervate the area in an east-west direction, extending the pedestrian urban fabric . The use of design elements deriving from landscape architecture, such as basements, unevenness and natural grafts in flooring, make it possible to constitute a sort of new urban carpet, which stands as an architecture, trying to connect the various parts of the historical urban system. The bases, designed to eliminate the difference in level between the ground level and the raised floor of the existing buildings, contain not only the steps, but also the ramps connecting the buildings, so as to definitively eliminate architectural barriers. These raised platforms constitute new reception, mediation and access spaces, which can be used as places of rest, study, reading and meditation, outlining a sort of large urban park. These architectural elements also become autonomous with respect to buildings: by spacing out the open spaces, delimiting the green areas containing the trees, guaranteeing soil permeability and protected and shaded edges in which to sit. The "green spine" that crosses the central space of the lot from north to south, is made with a system of green strips set into the surface of the floor and interspersed with stone paving. At the center of the urban system a large staircase outlines the main elevation of the project, which connects the urban ground floor and the underground floor of the underground university classrooms. The "green spine", constituted by the reiteration of homogeneous bands, traced in the dimensional matrices of the urban system of existing buildings is therefore a large "carpet", composed of different elements, the grass, the stone, the seats and the tanks greens. The latter contain the trees, placed on the bases and along the "green spine" and dictate the rhythm and progression of the design of the open space. In conclusion, the open space as well as being a natural setting, becomes a place for recreational and community activities, and takes on a strong value of reconnecting buildings, becoming a supporting element of the campus structure. The project of this new "urban landscape" becomes a structural matrix of a process of opening the lot to the city, in a system where social relations are encouraged, where the encounter is no longer a fleeting intersection of glances walking along a direction, but it happens with different times according to the places of passage.File | Dimensione | Formato | |
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https://hdl.handle.net/10589/151404