From ancient times, the amulets and talismans were held in high regard by all nations, mainly because of their virtues, as transmitters of good luck and to avert misfortune and the latter because of their beauty. Apotropaic jewellery in popular beliefs conveyed joy, confidence and save their owners from incidents and encourage bravery. They are in a direct connection with civilisation, religion and culture and they grew along with communities, survived through ages and so many people around the world still believe in their power. The historical examples of amulets and talismans in the Middle East and Iran after the Arab invasion and Persian conversion to Islam, have always been remarkable for me. Remaining historical examples of Iranian amulets, as well as the contemporary ones that we see in everyday lives of people, are profoundly linked with the religion of Islam and Iranian methodology. These examples have always been one of the most valuable sources for the study of Iranian art, culture and beliefs. One of those examples that appealed to me, is the battle clothes and accessories, specifically the arm guards and cuirasses that warrior wore when confronting their opponents and enemies. However, armours and war instruments may no longer be needed, but man is still dealing with the events that put his life at risk. Car accidents, contamination of the earth and unknown virus infections. Incidents that human beings are vulnerable and fragile against them. This collection has the aim of designing the accessories that contemporary people go to war with. These accessories are no longer steel armours but remind us of orthopaedic equipment and safety aids such as masks and Medical wristband to shield and protect people from the dangers that threaten them in today›s world. However, despite their resemblance to steel armours and orthopaedic appearance, they have a paradoxical distinction which is their fragility aspect and the frequent presence of motifs on these protectors is the thing that links these glass accessories with the armour of the warriors.
From ancient times, the amulets and talismans were held in high regard by all nations, mainly because of their virtues, as transmitters of good luck and to avert misfortune and the latter because of their beauty. Apotropaic jewellery in popular beliefs conveyed joy, confidence and save their owners from incidents and encourage bravery. They are in a direct connection with civilisation, religion and culture and they grew along with communities, survived through ages and so many people around the world still believe in their power. The historical examples of amulets and talismans in the Middle East and Iran after the Arab invasion and Persian conversion to Islam, have always been remarkable for me. Remaining historical examples of Iranian amulets, as well as the contemporary ones that we see in everyday lives of people, are profoundly linked with the religion of Islam and Iranian methodology. These examples have always been one of the most valuable sources for the study of Iranian art, culture and beliefs. One of those examples that appealed to me, is the battle clothes and accessories, specifically the arm guards and cuirasses that warrior wore when confronting their opponents and enemies. However, armours and war instruments may no longer be needed, but man is still dealing with the events that put his life at risk. Car accidents, contamination of the earth and unknown virus infections. Incidents that human beings are vulnerable and fragile against them. This collection has the aim of designing the accessories that contemporary people go to war with. These accessories are no longer steel armours but remind us of orthopaedic equipment and safety aids such as masks and Medical wristband to shield and protect people from the dangers that threaten them in today›s world. However, despite their resemblance to steel armours and orthopaedic appearance, they have a paradoxical distinction which is their fragility aspect and the frequent presence of motifs on these protectors is the thing that links these glass accessories with the armour of the warriors.
Fragile protector. Protective jewellery inspired by Persian amulets
AFLAKI, SANAZ
2019/2020
Abstract
From ancient times, the amulets and talismans were held in high regard by all nations, mainly because of their virtues, as transmitters of good luck and to avert misfortune and the latter because of their beauty. Apotropaic jewellery in popular beliefs conveyed joy, confidence and save their owners from incidents and encourage bravery. They are in a direct connection with civilisation, religion and culture and they grew along with communities, survived through ages and so many people around the world still believe in their power. The historical examples of amulets and talismans in the Middle East and Iran after the Arab invasion and Persian conversion to Islam, have always been remarkable for me. Remaining historical examples of Iranian amulets, as well as the contemporary ones that we see in everyday lives of people, are profoundly linked with the religion of Islam and Iranian methodology. These examples have always been one of the most valuable sources for the study of Iranian art, culture and beliefs. One of those examples that appealed to me, is the battle clothes and accessories, specifically the arm guards and cuirasses that warrior wore when confronting their opponents and enemies. However, armours and war instruments may no longer be needed, but man is still dealing with the events that put his life at risk. Car accidents, contamination of the earth and unknown virus infections. Incidents that human beings are vulnerable and fragile against them. This collection has the aim of designing the accessories that contemporary people go to war with. These accessories are no longer steel armours but remind us of orthopaedic equipment and safety aids such as masks and Medical wristband to shield and protect people from the dangers that threaten them in today›s world. However, despite their resemblance to steel armours and orthopaedic appearance, they have a paradoxical distinction which is their fragility aspect and the frequent presence of motifs on these protectors is the thing that links these glass accessories with the armour of the warriors.File | Dimensione | Formato | |
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https://hdl.handle.net/10589/169679