Cultural appropriation is increasingly discussed nowadays, and the cultural and spiritual differences between the East and the West are gradually becoming clearer as they learn more about each other. In the Western industrial system, for quite a long time in the past, the East took a mysterious posture that was entirely based on people’s imagination, but the Internet broke this mystery, let the image of the Orient, which used to be produced only by imagination, be accurately reproduced by the software. Has the phenomenon of cultural appropriation strengthened in such a globalized Internet environment? How do artists and designers resist this colonization through their works? And how cultural appropriation influences design?For a long time, cultural appropriation has been used as a critical term with deconstructionist overtones, and its positive meaning has been neglected for a long time, but from the Marxist philosophy, this concept is creating cultural conflicts while dissolving them, and becoming an important part of cultural innovation and cultural communication. The purpose of this thesis is to gain a comprehensive and profound understanding of cultural appropriation and to provide a fresh perspective on cultural innovation and intercultural communication for the nation.
L'appropriazione culturale è sempre più discussa al giorno d'oggi, e le differenze culturali e spirituali tra l'Oriente e l'Occidente stanno gradualmente diventando più chiare man mano che imparano a conoscersi meglio. Nel sistema industriale occidentale, per molto tempo in passato, l'Oriente ha assunto una posizione misteriosa che si basava interamente sull'immaginazione della gente, ma Internet ha rotto questo mistero, lasciando che l'immagine dell'Oriente, che prima era prodotta solo dalla fantasia, fosse riprodotta accuratamente dal software. Il fenomeno dell'appropriazione culturale si è rafforzato in un ambiente Internet così globalizzato? Come resistono artisti e designer a questa colonizzazione attraverso le loro opere? E come l'appropriazione culturale influenza il design?Fer molto tempo, l'appropriazione culturale è stata usata come un termine critico con sfumature decostruzioniste, e il suo significato positivo è stato trascurato per molto tempo, ma dalla filosofia marxista, questo concetto sta creando conflitti culturali mentre li dissolve, e diventando una parte importante dell'innovazione culturale e della comunicazione culturale. Lo scopo di questa tesi è quello di ottenere una comprensione completa e profonda dell'appropriazione culturale e di fornire una nuova prospettiva sull'innovazione culturale e la comunicazione interculturale per la nazione.
The positive significance of cultural appropriation in the context of intercultural communication
CAI, MENGYUAN
2020/2021
Abstract
Cultural appropriation is increasingly discussed nowadays, and the cultural and spiritual differences between the East and the West are gradually becoming clearer as they learn more about each other. In the Western industrial system, for quite a long time in the past, the East took a mysterious posture that was entirely based on people’s imagination, but the Internet broke this mystery, let the image of the Orient, which used to be produced only by imagination, be accurately reproduced by the software. Has the phenomenon of cultural appropriation strengthened in such a globalized Internet environment? How do artists and designers resist this colonization through their works? And how cultural appropriation influences design?For a long time, cultural appropriation has been used as a critical term with deconstructionist overtones, and its positive meaning has been neglected for a long time, but from the Marxist philosophy, this concept is creating cultural conflicts while dissolving them, and becoming an important part of cultural innovation and cultural communication. The purpose of this thesis is to gain a comprehensive and profound understanding of cultural appropriation and to provide a fresh perspective on cultural innovation and intercultural communication for the nation.File | Dimensione | Formato | |
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https://hdl.handle.net/10589/179352