This thesis examines the development of modern urban planning and architecture in Novi Sad from the post-World War II period through the 1960s. By analyzing historical context, urban strategies, planning institutions, and architectural production, the research investigates how modernist ideas were translated into the local Yugoslav framework. Through archival sources, urban plans, professional publications, and select case studies, the thesis identifies key themes such as the centralization of planning, the role of competition culture, and the evolving relationship between architecture and the state. The work is structured into several sections, beginning with the historical and socio-political background of Novi Sad and Yugoslavia. The early establishment of the urban planning service, the development of the Urban Planning Institute of Novi Sad, and the adoption of general urban plans in 1950 and 1963 are explored in depth. Particular attention is given to planning logics, zoning policies, and the ideological and aesthetic dimensions of socialist urbanism. Despite its significance, the modern architectural heritage of Novi Sad has long been overshadowed by a cultural focus on the city’s 19th-century legacy. Many of the postwar buildings and urban ensembles that shaped the city’s development remain underrecognized in both academic research and public narratives. Yet modern architecture played a key role in shaping Novi Sad’s contemporary identity, visually, spatially, and ideologically, by articulating values of progress, social equity, and urban modernization. This thesis highlights the need to reevaluate and appreciate this important period in the city’s urban history. The research further considers the typology of modern housing, industrial zones, green infrastructure, and the transformation of public space. Emphasis is placed on the connection between urban planning and the institutional identity of Novi Sad as the capital of Vojvodina, as well as the city’s role in representing socialist modernization. Selected architectural case studies highlight the intersection of design, politics, and everyday life. Special attention is given to the case study of the Agricultural Faculty in Novi Sad, a building that embodies a unique reinterpretation of Le Corbusier’s modernist principles. This comparative analysis highlights how international architectural ideas were adapted to the local context, influenced by climate, economy, culture, and planning traditions. Through formal, spatial, and material strategies, the building demonstrates a sophisticated synthesis of Yugoslav modernism and global architectural thought. By linking architectural production to broader political, economic, and cultural forces, the thesis contributes to the growing body of research on Yugoslav modernism and provides a detailed portrait of how modernity was locally constructed through planning and design.
Questa tesi esamina lo sviluppo della pianificazione urbanistica e dell’architettura moderna a Novi Sad dal secondo dopoguerra fino agli anni Sessanta. Analizzando il contesto storico, le strategie urbane, le istituzioni di pianificazione e la produzione architettonica, la ricerca indaga come le idee del modernismo siano state tradotte nel contesto jugoslavo locale. Attraverso fonti d’archivio, piani urbanistici, pubblicazioni professionali e casi studio selezionati, la tesi individua temi chiave come la centralizzazione della pianificazione, il ruolo della cultura del concorso e la relazione in evoluzione tra architettura e Stato. Il lavoro è articolato in diverse sezioni, a partire dal contesto storico e socio-politico di Novi Sad e della Jugoslavia. Viene analizzata in profondità la fondazione iniziale del servizio di pianificazione urbana, lo sviluppo dell’Istituto Urbanistico di Novi Sad e l’adozione dei piani regolatori generali del 1950 e del 1963. Particolare attenzione è riservata alla logica pianificatoria, alle politiche di zonizzazione e alle dimensioni ideologiche ed estetiche dell’urbanistica socialista. Nonostante la sua rilevanza, il patrimonio architettonico moderno di Novi Sad è stato a lungo oscurato da un’attenzione culturale rivolta prevalentemente all’eredità ottocentesca della città. Molti edifici del dopoguerra e insiemi urbani che hanno modellato lo sviluppo della città rimangono poco riconosciuti sia nella ricerca accademica che nella narrazione pubblica. Tuttavia, l’architettura moderna ha avuto un ruolo fondamentale nella formazione dell’identità contemporanea di Novi Sad – visivamente, spazialmente e ideologicamente – articolando valori di progresso, equità sociale e modernizzazione urbana. Questa tesi sottolinea la necessità di rivalutare e valorizzare questo importante periodo della storia urbana della città. La ricerca approfondisce inoltre la tipologia dell’edilizia abitativa moderna, le zone industriali, le infrastrutture verdi e la trasformazione dello spazio pubblico. Si evidenzia la connessione tra pianificazione urbanistica e identità istituzionale di Novi Sad come capitale della Vojvodina, nonché il ruolo della città nella rappresentazione della modernizzazione socialista. Alcuni casi studio architettonici selezionati mettono in luce l’intersezione tra progettazione, politica e vita quotidiana. Un’attenzione particolare è riservata al caso studio della Facoltà di Agraria di Novi Sad, un edificio che incarna una reinterpretazione unica dei principi modernisti di Le Corbusier. Questa analisi comparativa evidenzia come le idee architettoniche internazionali siano state adattate al contesto locale, influenzate da clima, economia, cultura e tradizioni progettuali. Attraverso strategie formali, spaziali e materiche, l’edificio dimostra una sofisticata sintesi tra modernismo jugoslavo e pensiero architettonico globale. Collegando la produzione architettonica a più ampie forze politiche, economiche e culturali, la tesi contribuisce al crescente corpus di studi sul modernismo jugoslavo e fornisce un ritratto dettagliato di come la modernità sia stata costruita localmente attraverso la pianificazione e la progettazione.
Cultivating modernism: the role of the Agricultural Faculty in Novi Sad's urban identity
Macanovic, Vana
2024/2025
Abstract
This thesis examines the development of modern urban planning and architecture in Novi Sad from the post-World War II period through the 1960s. By analyzing historical context, urban strategies, planning institutions, and architectural production, the research investigates how modernist ideas were translated into the local Yugoslav framework. Through archival sources, urban plans, professional publications, and select case studies, the thesis identifies key themes such as the centralization of planning, the role of competition culture, and the evolving relationship between architecture and the state. The work is structured into several sections, beginning with the historical and socio-political background of Novi Sad and Yugoslavia. The early establishment of the urban planning service, the development of the Urban Planning Institute of Novi Sad, and the adoption of general urban plans in 1950 and 1963 are explored in depth. Particular attention is given to planning logics, zoning policies, and the ideological and aesthetic dimensions of socialist urbanism. Despite its significance, the modern architectural heritage of Novi Sad has long been overshadowed by a cultural focus on the city’s 19th-century legacy. Many of the postwar buildings and urban ensembles that shaped the city’s development remain underrecognized in both academic research and public narratives. Yet modern architecture played a key role in shaping Novi Sad’s contemporary identity, visually, spatially, and ideologically, by articulating values of progress, social equity, and urban modernization. This thesis highlights the need to reevaluate and appreciate this important period in the city’s urban history. The research further considers the typology of modern housing, industrial zones, green infrastructure, and the transformation of public space. Emphasis is placed on the connection between urban planning and the institutional identity of Novi Sad as the capital of Vojvodina, as well as the city’s role in representing socialist modernization. Selected architectural case studies highlight the intersection of design, politics, and everyday life. Special attention is given to the case study of the Agricultural Faculty in Novi Sad, a building that embodies a unique reinterpretation of Le Corbusier’s modernist principles. This comparative analysis highlights how international architectural ideas were adapted to the local context, influenced by climate, economy, culture, and planning traditions. Through formal, spatial, and material strategies, the building demonstrates a sophisticated synthesis of Yugoslav modernism and global architectural thought. By linking architectural production to broader political, economic, and cultural forces, the thesis contributes to the growing body of research on Yugoslav modernism and provides a detailed portrait of how modernity was locally constructed through planning and design.File | Dimensione | Formato | |
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https://hdl.handle.net/10589/240135