Deeply rooted in our territory, the dismissed industrial buildings preserve an invaluable heritage and collective memory. These sites once dictated the rhythm of entire communities. Today, however, following economic shifts and the decline of the manufacturing sector, these vast, empty productive spaces have become complex urban challenges. At a time when land use is crucial, repurposing these abandoned structures offers a unique opportunity to experiment with new models of urban regeneration. Along the Cervo river, the Biella region reveals a unique landscape of industrial archaeology, where water has shaped a wool district for centuries. Focusing on the former Lanificio Trombetta, located directly on the riverfront and now part of Cittadellarte - Fondazione Pistoletto, this thesis explores a design strategy to breathe new life into these historic spaces. Inspired by Michelangelo Pistoletto’s ecological and artistic vision of the “Third Paradise,” the project takes the form of a “sustainable atelier,” designed to bridge the gap between nature and the built environment. The adaptive reuse of the site involves creating a new educational and cultural hub dedicated to fashion and textile research. The historic structure and a new transparent volume will merge, generating a space that interacts with both the site’s original function and the riverfront setting. After defining the area’s new strategic role through a preliminary assessment model, the design unfolds across various scales, from urban planning down to architectural details. The entire process is driven by a circular, interdisciplinary approach. Design choices stem from a rigorous analysis of the performance and life cycle of bio-based materials, and the collaboration with architect Tiziana Monterisi was essential to define the building assemblies. The material textures themselves act as a manifesto for the sustainable atelier. Solutions range from utilizing agricultural waste from the local rice industry to employing insulating panels made from local sheep’s wool, repurposing a resource that is now often discarded. The loop is closed by incorporating sound-absorbing panels made from recycled textiles. By leaving the texture of the regenerated yarns exposed, the material becomes a defining element that echoes the building’s identity. Through the intervention on the former Lanificio Trombetta, RiTessere Biella seeks to demonstrate that preserving industrial heritage is not a constraint. Instead, it can drive innovation by drawing directly on local resources and giving value back to the territory that generated it. By embracing the legacy of Biella’s craftsmanship, now recognized as a UNESCO creative city asset, this thesis aims to connect the past with contemporary challenges, proposing a design that projects the district’s textile tradition into a sustainable and ethical future.
Radicate nel tessuto del nostro territorio, le architetture industriali dismesse custodiscono un patrimonio e una memoria collettiva inestimabili. Sono luoghi che un tempo scandivano i ritmi di intere comunità ma dove oggi, a causa delle trasformazioni economiche e della crisi del settore manifatturiero, i grandi vuoti produttivi si presentano come realtà complesse. In un momento storico, in cui la necessità di limitare il consumo di suolo è fondamentale, il recupero di questi edifici abbandonati offre un’opportunità per sperimentare nuovi modelli di rigenerazione urbana. Lungo le sponde del torrente Cervo, il paesaggio biellese si svela come un sistema di archeologia industriale unico, dove per secoli l’acqua ha plasmato un distretto laniero d’eccellenza. Basandosi sull’ex Lanificio Trombetta, situato proprio lungo il Cervo e oggi parte di Cittadellarte – Fondazione Pistoletto, il lavoro di tesi indaga una soluzione progettuale per restituire un futuro a questi spazi storici. Ispirandosi alla visione ecologica e artistica del “Terzo Paradiso” di Michelangelo Pistoletto, il progetto prende forma in un “atelier sostenibile”, capace di ricucir la frattura tra natura e artificio. La rifunzionalizzazione del sito prevede la realizzazione di un nuovo polo formativo e culturale dedicato alla moda e alla ricerca tessile. L’edificio storico e un nuovo volume trasparente si intrecceranno per dare vita ad uno spazio che dialoga con la vocazione originaria del luogo e con il paesaggio fluviale. Stabilita la nuova funzione strategica dell’area attraverso l’elaborazione di un modello di valutazione preliminare, il progetto si sviluppa su differenti scale, da quella urbana a quella di dettaglio. L’intero iter si distingue per un approccio interdisciplinare circolare, dove la scelta degli elementi progettuali è il risultato di un rigoroso studio delle prestazioni e del ciclo di vita dei materiali bio-based e dove la sinergia con l’architetta Tiziana Monterisi è stata determinante per la definizione dei pacchetti tecnologici. Le stesse trame materiche diventano così manifesto dell’atelier sostenibile. Si passa dall’impiego di materiali derivati dagli scarti della filiera risicola biellese, all’uso di pannelli isolanti in lana di pecora locale recuperando una risorsa oggi spesso declassata a rifiuto. A chiudere il cerchio vi è l’inserimento di pannelli fonoassorbenti realizzati da scarti tessili riciclati; lasciando visibile la texture dei filati rigenerati, la materia, frutto dell’indagine tecnologica, si trasforma in un elemento che richiama l’identità dell’edificio. In riferimento all’intervento sull’ex Lanificio Trombetta, RiTessere Biella si propone di dimostrare come la tutela del patrimonio industriale non rappresenti un limite, ma possa rendersi innovativo, attingendo direttamente alle risorse locali e restituendo valore al territorio che l’ha generato. Raccogliendo l’eredità di quel “saper fare” biellese, oggi riconosciuto patrimonio UNESCO della città, la tesi ambisce a ricucire idealmente il passato alle sfide contemporanee, sviluppando un progetto capace di proiettare la tradizione tessile del distretto verso un futuro sostenibile ed etico.
Ri-tessere Biella : l'atelier sostenibile : rigenerazione di aree industriali dismesse: nuovi spazi per la moda tra circolarità e valorizzazione dei materiali di scarto
Allaraj, Sara;De Benedetto, Davide;INTERLIGI, GAIA
2024/2025
Abstract
Deeply rooted in our territory, the dismissed industrial buildings preserve an invaluable heritage and collective memory. These sites once dictated the rhythm of entire communities. Today, however, following economic shifts and the decline of the manufacturing sector, these vast, empty productive spaces have become complex urban challenges. At a time when land use is crucial, repurposing these abandoned structures offers a unique opportunity to experiment with new models of urban regeneration. Along the Cervo river, the Biella region reveals a unique landscape of industrial archaeology, where water has shaped a wool district for centuries. Focusing on the former Lanificio Trombetta, located directly on the riverfront and now part of Cittadellarte - Fondazione Pistoletto, this thesis explores a design strategy to breathe new life into these historic spaces. Inspired by Michelangelo Pistoletto’s ecological and artistic vision of the “Third Paradise,” the project takes the form of a “sustainable atelier,” designed to bridge the gap between nature and the built environment. The adaptive reuse of the site involves creating a new educational and cultural hub dedicated to fashion and textile research. The historic structure and a new transparent volume will merge, generating a space that interacts with both the site’s original function and the riverfront setting. After defining the area’s new strategic role through a preliminary assessment model, the design unfolds across various scales, from urban planning down to architectural details. The entire process is driven by a circular, interdisciplinary approach. Design choices stem from a rigorous analysis of the performance and life cycle of bio-based materials, and the collaboration with architect Tiziana Monterisi was essential to define the building assemblies. The material textures themselves act as a manifesto for the sustainable atelier. Solutions range from utilizing agricultural waste from the local rice industry to employing insulating panels made from local sheep’s wool, repurposing a resource that is now often discarded. The loop is closed by incorporating sound-absorbing panels made from recycled textiles. By leaving the texture of the regenerated yarns exposed, the material becomes a defining element that echoes the building’s identity. Through the intervention on the former Lanificio Trombetta, RiTessere Biella seeks to demonstrate that preserving industrial heritage is not a constraint. Instead, it can drive innovation by drawing directly on local resources and giving value back to the territory that generated it. By embracing the legacy of Biella’s craftsmanship, now recognized as a UNESCO creative city asset, this thesis aims to connect the past with contemporary challenges, proposing a design that projects the district’s textile tradition into a sustainable and ethical future.| File | Dimensione | Formato | |
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https://hdl.handle.net/10589/252431