Digital technologies have reshaped how mourning and remembrance are experienced, extending memorial practices beyond physical spaces and into digital spaces. Yet many contemporary digital memorial platforms adopt archival, performative, or simulation-driven logics, preserving profiles indefinitely, embedding visibility metrics, or attempting to reconstruct the deceased through artificial intelligence. While technologically innovative, such approaches risk shifting the focus of remembrance from relational continuity toward digital reproduction. This thesis investigates how interaction design might offer an alternative model for collective digital remembrance, one that does not rely on representational or AI-based simulation. Adopting a research-through-design methodology, the study combines a literature review, an exploratory bilingual survey (N = 82), conceptual development, and formative user testing. Survey findings indicate a preference for flexible privacy structures, discomfort with performative visibility, and cautious attitudes toward AI systems that imitate the identity or voice of the deceased. In response, the thesis proposes Chorale, a digital memorial platform grounded in the metaphor of sound and resonance. Rather than recreating the deceased, Chorale frames memory as a collective and evolving accumulation of contributions within an expanding spiral interface. Interaction is intentionally restrained, allowing users to adjust proximity, move between shared and private engagement, and participate within a care-based governance structure. Artificial intelligence is employed only as a limited protective mechanism to filter harmful language, not as a generative or interpretive agent. Through formative evaluation, the project assesses usability, experiential coherence, and the clarity of its ethical positioning. The findings suggest that non-simulative interaction models can support relational continuity while preserving absence as a structural condition. By articulating a resonance-based framework for digital memorial design, this thesis contributes to interaction design discourse, positioning moderation, privacy, and absence as essential components of emotionally sensitive digital systems.
Le tecnologie digitali hanno trasformato il modo in cui il lutto e la commemorazione vengono vissuti, estendendo le pratiche memoriali oltre gli spazi fisici e nei contesti digitali. Tuttavia, molte piattaforme contemporanee di memorializzazione online adottano logiche archivistiche, performative o basate sulla simulazione, preservando i profili indefinitamente, integrando metriche di visibilità o tentando di ricostruire il defunto attraverso l’intelligenza artificiale. Pur essendo tecnologicamente innovative, tali soluzioni rischiano di spostare l’attenzione della commemorazione dalla continuità relazionale verso una riproduzione digitale. Questa tesi indaga come l’interaction design possa offrire un modello alternativo di commemorazione digitale collettiva, che non si fondi su rappresentazioni o simulazioni basate sull’intelligenza artificiale. Adottando una metodologia di research-through-design, lo studio combina una revisione della letteratura, un sondaggio esplorativo bilingue (N = 82), lo sviluppo concettuale e una fase di user testing formativo. I risultati del sondaggio evidenziano una preferenza per strutture di privacy flessibili, un disagio rispetto alla visibilità performativa e un atteggiamento prudente nei confronti di sistemi di intelligenza artificiale che imitano l’identità o la voce del defunto. In risposta a tali evidenze, la tesi propone Chorale, una piattaforma digitale di commemorazione fondata sulla metafora del suono e della risonanza. Anziché ricreare il defunto, Chorale concepisce la memoria come un accumulo collettivo e in evoluzione di contributi all’interno di un’interfaccia a spirale in espansione. L’interazione è volutamente essenziale, consentendo agli utenti di modulare la propria prossimità, di muoversi tra modalità di partecipazione condivisa e privata e di operare all’interno di una struttura di governance basata sulla cura. L’intelligenza artificiale viene impiegata esclusivamente come meccanismo protettivo limitato per filtrare contenuti linguistici dannosi, e non come agente generativo o interpretativo. Attraverso una valutazione formativa, il progetto analizza l’usabilità, la coerenza esperienziale e la chiarezza del proprio posizionamento etico. I risultati suggeriscono che modelli di interazione non simulativi possano sostenere la continuità relazionale preservando l’assenza come condizione strutturale. Articolando un framework basato sulla risonanza per il design di memoriali digitali, questa tesi contribuisce al dibattito nell’ambito dell’interaction design, posizionando moderazione, privacy e assenza come componenti fondamentali nella progettazione di sistemi digitali emotivamente sensibili.
Chorale: an echo as a form of presence, designing participatory digital memorial experiences
TANRIOVEN, DILARA
2025/2026
Abstract
Digital technologies have reshaped how mourning and remembrance are experienced, extending memorial practices beyond physical spaces and into digital spaces. Yet many contemporary digital memorial platforms adopt archival, performative, or simulation-driven logics, preserving profiles indefinitely, embedding visibility metrics, or attempting to reconstruct the deceased through artificial intelligence. While technologically innovative, such approaches risk shifting the focus of remembrance from relational continuity toward digital reproduction. This thesis investigates how interaction design might offer an alternative model for collective digital remembrance, one that does not rely on representational or AI-based simulation. Adopting a research-through-design methodology, the study combines a literature review, an exploratory bilingual survey (N = 82), conceptual development, and formative user testing. Survey findings indicate a preference for flexible privacy structures, discomfort with performative visibility, and cautious attitudes toward AI systems that imitate the identity or voice of the deceased. In response, the thesis proposes Chorale, a digital memorial platform grounded in the metaphor of sound and resonance. Rather than recreating the deceased, Chorale frames memory as a collective and evolving accumulation of contributions within an expanding spiral interface. Interaction is intentionally restrained, allowing users to adjust proximity, move between shared and private engagement, and participate within a care-based governance structure. Artificial intelligence is employed only as a limited protective mechanism to filter harmful language, not as a generative or interpretive agent. Through formative evaluation, the project assesses usability, experiential coherence, and the clarity of its ethical positioning. The findings suggest that non-simulative interaction models can support relational continuity while preserving absence as a structural condition. By articulating a resonance-based framework for digital memorial design, this thesis contributes to interaction design discourse, positioning moderation, privacy, and absence as essential components of emotionally sensitive digital systems.| File | Dimensione | Formato | |
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https://hdl.handle.net/10589/252535