Despite research and conservation efforts around archaeological sites, the connection between physical remains and living cultural practices in ancient civic life, including rituals, performances, and everyday social life, often remains underrepresented in heritage interpretation. In situ archaeological sites provide material connections with history. However, social and cultural life in archaeological areas is often rendered invisible to visitors, which reduces engagement and leads to a lack of understanding of the cultural and social aspects of heritage sites. Narrating intangible heritage through sounds that address the gap between physical remains and lived cultural practices can help regenerate meaning in the spatial context, enhance visitor experience and engagement, and support safeguarding by making invisible layers legible, meaningful, and transmissible. In this context, sound-based interactions offer promising approaches to reconstruct a sonic atmosphere in a physical, real-life context. This research investigates how sound-based interactions can contribute to the reconstruction and communication of sound heritage within archaeological sites. It explores how sound can function as an interpretative medium that supports visitor engagement with archaeological knowledge, intangible heritage, and historical narratives. Drawing on a comparative analysis of five case studies, validated through two co-design workshops and expert reviews, the study develops and evaluates an interdisciplinary framework for designing sound heritage reconstruction projects at heritage sites. This research aims to support the design of sound heritage reconstruction projects at archaeological sites by leveraging sound-based interactions within an interdisciplinary framework. The framework is intended to facilitate collaboration among archaeologists, heritage professionals, sound designers, acoustic experts, interaction designers, and other stakeholders involved in heritage interpretation projects.
Nonostante gli sforzi di ricerca e conservazione dedicati ai siti archeologici, il legame tra i resti materiali e le pratiche culturali vive della vita civica antica, inclusi rituali, performance e vita sociale quotidiana, rimane spesso poco rappresentato nell’interpretazione del patrimonio. I siti archeologici in situ offrono un legame materiale con la storia. Tuttavia, la vita sociale e culturale nelle aree archeologiche viene spesso resa invisibile ai visitatori, il che riduce il coinvolgimento e porta a una scarsa comprensione degli aspetti culturali e sociali dei siti patrimoniali. Narrare il patrimonio immateriale attraverso i suoni, colmando il divario tra i resti fisici e le pratiche culturali vissute, può contribuire a rigenerare il significato nel contesto spaziale, migliorare l’esperienza e il coinvolgimento dei visitatori, e sostenere la salvaguardia rendendo gli strati invisibili leggibili, significativi e trasmissibili. In questo contesto, le interazioni sonore offrono approcci promettenti per ricostruire un’atmosfera sonora in un contesto fisico e reale. Questa ricerca indaga in che modo le interazioni sonore possano contribuire alla ricostruzione e alla comunicazione del patrimonio sonoro all’interno dei siti archeologici. Esplora come il suono possa fungere da medium interpretativo a supporto del coinvolgimento dei visitatori con la conoscenza archeologica, il patrimonio immateriale e le narrazioni storiche. Sulla base di un’analisi comparativa di cinque casi di studio, validata attraverso due workshop di co-design e revisioni da parte di esperti, lo studio sviluppa e valuta un framework interdisciplinare per la progettazione di interventi di ricostruzione del patrimonio sonoro nei siti patrimoniali. Questa ricerca mira a supportare la progettazione di interventi di ricostruzione del patrimonio sonoro nei siti archeologici, sfruttando le interazioni sonore all’interno di un framework interdisciplinare. Il framework è concepito per facilitare la collaborazione tra archeologi, professionisti del patrimonio, sound designer, esperti di acustica, interaction designer e altri stakeholder coinvolti in progetti di interpretazione del patrimonio.
Sounds of the past: an interdisciplinary framework for sound-based heritage interpretations in archaeological sites
CAKIR, ELIF NUR
2025/2026
Abstract
Despite research and conservation efforts around archaeological sites, the connection between physical remains and living cultural practices in ancient civic life, including rituals, performances, and everyday social life, often remains underrepresented in heritage interpretation. In situ archaeological sites provide material connections with history. However, social and cultural life in archaeological areas is often rendered invisible to visitors, which reduces engagement and leads to a lack of understanding of the cultural and social aspects of heritage sites. Narrating intangible heritage through sounds that address the gap between physical remains and lived cultural practices can help regenerate meaning in the spatial context, enhance visitor experience and engagement, and support safeguarding by making invisible layers legible, meaningful, and transmissible. In this context, sound-based interactions offer promising approaches to reconstruct a sonic atmosphere in a physical, real-life context. This research investigates how sound-based interactions can contribute to the reconstruction and communication of sound heritage within archaeological sites. It explores how sound can function as an interpretative medium that supports visitor engagement with archaeological knowledge, intangible heritage, and historical narratives. Drawing on a comparative analysis of five case studies, validated through two co-design workshops and expert reviews, the study develops and evaluates an interdisciplinary framework for designing sound heritage reconstruction projects at heritage sites. This research aims to support the design of sound heritage reconstruction projects at archaeological sites by leveraging sound-based interactions within an interdisciplinary framework. The framework is intended to facilitate collaboration among archaeologists, heritage professionals, sound designers, acoustic experts, interaction designers, and other stakeholders involved in heritage interpretation projects.| File | Dimensione | Formato | |
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2026_10_Cakir.pdf
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https://hdl.handle.net/10589/266145